19.5 x 23.25 x 3 in (49.5 x 59.1 x 7.6 cm) including frame
Antonio Paoletti was an Italian painter known for his genre scenes of Venetian life, often featuring children and street vendors. The Little Mother (circa 1890) depicts a young girl in a red shawl guiding another child, with a third child sitting on stone steps in the background. The scene is set in a Venetian square, characterized by classical stone architecture and distant rooftops under a clear sky.
The painting focuses on the narrative interaction between the figures and a small dog on a leash in the foreground. Paoletti uses a warm, earthy palette and soft lighting to describe the textures of the fabric and the worn stone surfaces. The composition is structured around the architectural lines of the steps and the building, framing the figures within the urban environment. This work is typical of Paoletti’s interest in documenting the daily social life and modest inhabitants of 19th-century Venice.
Private Collection, Winnipeg
(Includes Buyer's Premium)
Antonio Paoletti
Antonio Ermolao Paoletti was an Italian painter and educator, recognized for his contributions to 19th-century genre painting and his academic service in Venice. Born on May 8, 1834, in Venice, he was the son of Ermolao Paoletti, a scholar, writer, and professor at the Accademia di Belle Arti di Venezia. Immersed in an environment of artistic and academic pursuit, Antonio followed in his father’s footsteps, enrolling at the Accademia di Belle Arti where he studied under the guidance of Pompeo Marino Molmenti.
Paoletti’s early professional career was marked by a commitment to historical painting, producing works in the Romantic style. Examples from this period include his 1860 composition depicting the entry of Henry III, King of France, into Venice, and his 1863 work focusing on the wife of Francesco Foscari. During this time, he also engaged in decorative projects for various palatial sites throughout the Veneto region and contributed to the restoration and creation of sacred frescoes, such as the altarpiece for the parish church of Melara, completed in 1863.
In the later stages of his career, Paoletti shifted his focus toward genre scenes that captured the everyday life of Venetian citizens. These works frequently depicted women, children, and scenes of local industry, such as pearl stringing, fishing, and street vending. His ability to render these compositions with narrative detail earned him consistent inclusion in major exhibitions of the era. He participated in regional and international displays, including exhibitions in Milan in 1872 and Turin in 1884.
Like his father before him, Paoletti eventually became a professor at the Accademia di Belle Arti in Venice, where he influenced subsequent generations of Venetian artists. Throughout his tenure as both a practitioner and educator, he remained a fixture of the local art community until his death in Venice on December 13, 1912. His portraiture and genre studies remain part of the collections of several Italian institutions, including the Civic Museum of Bassano.
Major Spring Fine Art Auction
May 7 - May 28, 2026
661 Wall St, Winnipeg MB
(204) 255-5690
mayberryfineart.com
[email protected]
Contact us to make an appointment to preview this item or to sell similar works.
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Bidding Range
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Increment
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|---|---|
| $0.00 - $50.00 | $1.00 |
| $50.00 - $100.00 | $5.00 |
| $100.00 - $500.00 | $10.00 |
| $500.00 - $1,000.00 | $25.00 |
| $1,000.00 - $5,000.00 | $50.00 |
| $5,000.00 - $10,000.00 | $100.00 |
| $10,000.00 - $20,000.00 | $200.00 |
| $20,000.00 - $50,000.00 | $500.00 |
| $50,000.00 - $100,000.00 | $1,000.00 |
| $100,000.00+ | $5,000.00 |
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